Formula 1
With Theodor Nymark & Frej Volander, Maia Liu, Luca Mosbech Fedele and Farhad Farzali

- Ready, set, stage!, Luca Mosbech Fedele
- Anything else?, Luca Mosbech Fedele
- The ceiling is our ear drum, Luca Mosbech Fedele
- Luca Mosbech Fedele SHHHHH Rehearsal, 2025 Manuscript and play by Elliot Charrua, Meis Vranken & aido wall, Luca Mosbech Fedele
- I think I am in love with the world again, and I as in ice-cream, Luca Mosbech Fedele
- Molotov Gulab, Farhad Farzali
- 1 AM, Frej Volander
- In the end, Luca Mosbech Fedele
- Ground floor, Theodor Nymark
- Salon Charogne, Theodor Nymark and Frej Volander
- New exhibition space in the National Academy of Fine Arts, November 30, 1927, Theodor Nymark
- Untitled, Frej Volander
- The exhibition building behind the National Academy of Fine Arts, August 16, 1968, Theodor Nymark
- Interior, National Academy of Fine Arts, August 1935, Theodor Nymark
- C, Frej Volander
- Warehouse overloaded with peat behind the plots Bloemgracht 32-34, collapsed on Sunday, 7 January 1906, Theodor Nymark
- Games, Frej Volander
- Dachshound (kids shelf), Theodor Nymark
- Dachshound in a meadow (kids shelf), Theodor Nymark
- Lover (Hearth), Theodor Nymark
- Companion, Frej Volander
- The Bodhi Tree in Bosch’s Garden, Maia Liu, Yezi Lin, archive of Leopold Liu
Things look different at high speed. This morning, I read an article stating that today will be the shortest day ever measured. The earth, it turns out, is rotating faster than it should be. Things are spinning out of control –but then, of course, ‘things’ were never really ‘in control’ to begin with. Are we approaching a tipping point? Will we feel it the moment our organs are rearranging, or will we simply find ourselves wondering, one morning, at what point did we start needing our coffee to taste like antifreeze? Will we tell ourselves that maybe it’s just the roast? Will we, here, is will I, is will you. Same, same, but different, like the slipping of the afternoon sun into evening, calm –a full circle that doesn’t come full circle, but starts to spiral instead.
For Formula 1, the participants of De Ateliers have invited five artists to collaborate on an evolving group show. The exhibition is composed in two acts, with an interlude separating the two. In a week of public programming, Woonhuis will undergo various shifts and transitions as the artists are invited to revisit their work, or the exhibition as a whole. Visitors, too, are welcome to revisit and stick around during the interlude –to witness or take part as the artists add, erase, alter, hijack, soil and polish.
Formula 1 will open on Friday 26 September from 17:00-20:00. The transition week with public programming takes place from Thursday 16 October until Thursday 23 October.
Formula 1 is curated by Aiganym Mukhamejan, Iiris Riihimäki, Oscar Morel, Tobias Grann, Tosca Monteyne and Yingfei Lyu.
The show is open every Thursday-Saturday from 13:00-18:00. Entrance ticket is €3. Tickets are available at the door.
Starting on the 16th of October Woonhuis is hosting four days of public programming for ‘Formula 1’. The participating artists will each host an evening with performances, interventions or open discussions. The public programme is free of charge. Doors open at 19:00 and the performances start at 19:30 sharp. You can find more information on the events on the website of Woonhuis.













